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Coming to M.N.D.T.
April, 20th, 21st,
22nd, 27th and 28th, 2012
Myth: The
Musical!
Book and Lyrics by
Thomas Geier
Music by Wayne
Peppercorn
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After a rousing
number in which the gods are introduced
in an “Oscar night” setting, Aphrodite
and Medea visit Elyse, an aspiring
young actress. Elyse is involved in a bad
relationship with the unfaithful Cal, and
these two mythical women convince Elyse to take
steps. Meanwhile, Kyle Schrodinger, a
nerdy classmate with whom Elyse is partnered for
a school project on Greek myth, struggles for
her attention. After Medea and Aphrodite guide
her through a frustrating visit to the
incompetent oracle Tyrice, a sudden
revelation at a rock concert, and a visit to
Hades for advice from Persephone’s
Council of Women, Elyse is convinced that she
must forget Cal.
The Three Fates
appear in a comic prologue to foreshadow the
action of Act II. Elyse auditions for a role in
community theater, but fails miserably.
Meanwhile Kyle has been visited by Hercules
and Sisyphus, who urge him to pursue
Elyse with more confidence. With this
encouragement and the hilariously inept help of
Cupid, the relationship of Kyle and Elyse
deepens. Their school project on a visit to
Hades receives high marks, and as Elyse sings in
celebration of her new successes she is noticed
by a local director. The play ends with Kyle
and Elyse happy together and Elyse headed for
her first starring role. |
Canterbury
Road!
- Book and Lyrics by
Thomas Geier
- Music by Wayne
Peppercorn
- October 2nd, 3rd,
4th, 9th, and 10th, 2009
- The Salerno Center
for the Performing Arts
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- Original artwork by Shelly Brauer,
MND Art Department Chair
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Chaucer’s
Canterbury Tales were left unfinished at the
time of his death. Several pilgrims introduced
in his General Prologue never got the chance to
tell their tales – until now.
In this zany musical
comedy, four additional pilgrims at long last
entertain the traveling group with their
stories. In Act I the carpet maker, the weaver,
and the dyer – all young women – spin their
yarns accompanied by songs and dance. In Act
II, a rustic girl named Griselda (borrowed from
Chaucer’s own Clerk’s Tale) is finally permitted
to tell her personal love story and it “brings
down the house.”
Most narration between
the songs is done in traditional iambic
pentameter couplets. The Miller provides bawdy,
adult humor and the Parson adds righteous
commentary. Plot and song lyrics incorporate
Botticelli, the Plague, alchemy, traveling
theater troupes, Robin Hood, and a female demon
named Lucyfer to enhance the production’s
medieval flavor. |
All photos courtesy of Mr.
Shepard
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-
Shakespeare's Women
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Book and Lyrics by Tom Geier
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Music by Wayne Peppercorn
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November 30th, December 1st, 2nd, 7th and 8th, 2007
- The Salerno Center
for the Performing Arts
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Judith Shakespeare, William Shakespeare’s sister, is
a charwoman at The Globe Theater. She struggles
with her position as a woman in Elizabethan society,
especially since her famous brother often comes to
her for advice in the writing of his plays and she
gets no recognition. In the process of coming to
terms with her lot in life, she meets the Dark Lady
of the sonnets, Queen Elizabeth, and even the Earl
of Oxford – with whom she has a romantic encounter.
Virginia Woolf and Sigmund Freud also make cameo
appearances. Brief scenes and speeches from
Macbeth, Romeo and Juliet, Twelfth
Night, and The Taming of the Shrew are
included in this dramatic collage. Seven songs and
one dance number are part of the script.
|
Visit the
Shakespeare's Women
WEBSITE
Original artwork by Shelly
Brauer, MND Art Department Chair
Copyright
© Mr. Peppercorn 2011-2012 |
